Excited that Campaign has dedicated a full page to the subject of Creative in the programmatic space, especially as its all written by me! if you would like to read the original article click here.
My piece in CampaignLive publication in the US – to see click here
How did it come to this? You can’t mention programmatic without talk about transparency, trading desks and advertisers taking it “in-house.” A part of me that would likely get fired says “Go on, then” because it will mean that advertisers spend considerable time understanding the space, in order to appreciate what is required to do this well. They will also be doing the right thing with their media — I don’t mean taking it in-house, but rather the likely improvement in execution and management of their media using the latest technology.
While in-house has been a hot topic this year, all we have right now is a lot of noise. Companies stirring up the ecosystem trying to make hay while the sun shines and consultants with minimal experience in this complex space suddenly getting the light of day. It is a real shame. I spend so much time talking fees and transparency with advertisers and so little on strategy that I truly believe they are missing the chance to make the most of this incredible opportunity.
Advertisers setting up their own programmatic operations is as sensible as Google deciding to set up an agency business and go direct to clients. “They do that,” I hear you cry! Not really. They chase revenue, and if they see that being taken by competitors they step in. Google also has tens of thousands of free sales people — they are called agencies. Clever businesses stick to what they do best. Even brands that have been working away at this for some years are still struggling to keep up.
I recently read that taking it in house was expensive upfront but you get payback over years. I have never read such incredibly ill-informed, ill-thought rhetoric in all my life. It infers that programmatic expertise in agencies after the first couple of years runs on nothing. The reality is people need paying; tech companies need paying; innovation needs to evolve. Nothing goes away after initial set up; it only grows. It is this kind of crazy talk that is distracting advertisers.
Let’s start with talent. Programmatic now commands some of the highest salaries and brightest brains. This creates multiple challenges for employers — motivation, retention and a lack of insights from outside the immediate business. Technology evaluation skill sets, data analytics and audience insights knowledge, data warehousing, contract negotiations, legal, creative, partner management – these all are essential for a successful programmatic business. Spare a thought for the team doing it in-house — two, perhaps three people. They will not be immune from the same standards agencies have. Brand safety is still brand safety. The CEO will be no less unhappy when the Wall Street Journal reports a fraud blow up and an in-house team has been managing it. The same effort needs to be applied in or out of the house and that costs money.
Why would an advertiser want to take that on? Because they are unhappy with transparency? Because tech fees are high and they want to find ways of saving? It is a false economy. “Buy cheap, buy twice” is a phrase I am a firm believer in.
The companies who have managed to do this well are few and often pure-play digital, online businesses with very specific KPIs that are easily tracked and measured and with a culture of digital innovation. Netflix is one example. Moneysupermarket in the U.K., another. Almost all, including the most famously quoted however, are relying on third parties to do the work. That is not taking it in-house, it’s just not using an agency. And they are right not to, but if a little less time was spent on the angst of transparency and fees (easily solved by talking with your agency operation) and more time on the strategy, then the fees will make sense. More time also needs to be spent talking about the amazing case studies of clients that have embraced this space and are turning their media investment around – there are many.
Advertisers who empower their agencies in the programmatic space and invest the time to really partner with them will dramatically change how they do business and the results they achieve.
As a final note on this, While hundreds of millions of advertiser dollars are spent on blind, low-CPM, long-tail ad networks that are taking 60 percent margin, I find it very difficult to believe that an advertiser is achieving the most they can from programmatic or indeed asking the right questions about their media investment, whether that is taking it in-house or not.
Marco Bertozzi is VivaKi’s President, North America Client Services and Audience on Demand EMEA.
Its Official! There is fraud in the Ad network business and it is big. The New York Times has written about it, see article here and so now at last it must be real. Why has it taken so long for people to take notice on the subject? VivaKi have been pushing this agenda for so long now and it is not being grasped or maybe more importantly valued by many. I will come back to what we are doing in this space, but lets get back to the ad fraud.
The media industry has always been pressured by constantly reducing pricing, every contract, every agency, every buy cheaper than the next. The advertiser is looking to reduce the costs and the ‘pitch consultants’ or rather auditors have done nothing to help that situation by creating a vicious circle of ever decreasing cpms, one agency bidding against the next. On and on it has gone, with those consultants taking their nice fees while the agencies get squeezed and squeezed. So where does this all take us? Well lets put aside agency fees and just focus on buying cpms and hope the agency gets to charge for it’s value in other ways.
The buying cpm is being reduced year on year on year and so agencies are turning to networks and other avenues to be able to hit the cpms that advertisers want. To be able to do that the only option at a certain point is to buy low cpm network inventory that is blind and very very long tail, all wrapped up in a glossy $35m marketing budget by the Ad network. And with a nudge and wink everyone rolls over, the agency, the advertiser turn a blind eye. Years later, surprise surprise when the relevant technology becomes available and we discover that there is a lot of unsavoury, poor quality inventory being bought, there is uproar. Well come on – how did you think these companies made money?
I have no sympathy with the wailing and thrashing of bare backs about the state of the inventory because those same advertisers and auditors are the same that would not accept that if you take appropriate brand safety metrics including proper verification of inventory, whitelists, viewability tech and tracking to make sure the buy is quality and safe that there came a cost and a higher cpm. VivaKi Verified, the protection part of the Audience On Demand offering have been focused on all of these areas working with Adtricity and many others as well as having our own in house team that determine the best, safest inventory, but often times the cpm is deemed too high. Well there is a reason for that, because we are not buying click fraud, long tail, non viewed ads.
So part of me wants to throw my arms up when an advertiser questions the well worn path of Agency Trading Desk transparency – we have the safest most robust approaches to brand safety and ability to show where every one of our ads appears – for that we have to invest. So for all the wailers out there currently, here are my final thoughts.
- When considering the media purchase, when the glossy Ad Net is offering you a rock bottom price – you might want to ask how they get it?
- If you care about brand safety and every advertiser says they do – you cant accept a blind buy, I say it again – if they don’t tell you where every ad appears – you are fuelling the business that NY Times has picked up on.
- A challenge to auditors; seek value not price, it is in all your brochures, live it out and have the strength to tell a client they should pay more for better inventory, change your own business model away from ‘savings’
These headlines will become louder and let us see what happens, I will tell you, CPMs are going to rise, they have to because all those that have not been playing fair, who have been playing fast and lose with your brand, will have to improve because technology is going to find them out. When they are found out and they have to act more appropriately, their cpm will rise and then advertisers and auditors will have a dilemma – accept higher cpms for quality or continue to bury their heads in the sand and hope all this goes away.
Either way this is a good omen for those who have been banging this drum for some time and of course for genuinely premium inventory providers and for the rest I hope they suffer a lingering demise.
I was recently prompted to think about the sales policies of publishers when Criteo approached us to buy their inventory through a Criteo network. On the face of it one could argue it would be a good buy for us, potentially unique inventory, sourced through publisher deals that by many peoples opinion is good quality and high up the adserving priorities of the publisher. Obviously after about 1.5 secs I decided I was unlikely to contribute to the clever business model of Criteo by filling their coffers so they can then go pitch direct to our clients and move the business. That is not what this post is about but it set in motion some ideas that I think publishers should consider.
Companies like Criteo, have created a good business and are doing well in their niche but they got there through persuading publishers that they should sell to them quality impressions, in some instances first look, even above direct and brand channels at a low cpm vs those direct channels but high vs the RTB market. They deliver good business for them and everyone is happy.
Problem is that they buy a lot of it and need to get rid of it and so they want other people to buy it from them ie trading desks and potentially Ad networks / Managed DSPs. The demand in the exchanges has increased significantly since many of those deals were done and so cpms for quality inventory like this will likely create a higher cpm than they bought from the publishers. So that means then that trading desks are buying good inventory from Criteo rather than direct from the publisher? Is that what the publisher had in mind when they sold or agreed to the positioning of the sale?
I think it raises questions that publishers yet again have to face, is it better to sell at a flat cpm or find other channels to monetise. A lot of big names are doing this and for me makes no sense, if you want your inventory to be monetised, come see us rather than put us, your direct buyers second to someone who is re selling it to us? It is time to ditch the flat cpm and embrace the auctions and private market places.
We can also offer transparency to the publishers as to how well their inventory is performing and we can partner to create improvements for them and us. The alternative is sell and see no insights. In my view that era has ended. Publishers, come talk to us we can help you with that.