Business cards the sex end of business courtship

I realized the other day that I had been in touch with someone at work for weeks and had never seen so much as a business email or phone number. Or that I had lost the number of one of my best friends from University and yet had never lost touch. Staying in touch now is through a plethora of different channels where they do the hard work for you.

There was a time when my contacts in my phone were like gold dust, a pain to lose and painful to replace and yet now I am less precious about it all because some kind website or other has those people just a click away. My roller deck is kind of old fashioned looking, every time I deal my way through business cards I do think how backward it all feels.

I find now with such a connected world that I am approached by a mixture of friends and business colleagues through any number of channels. Sometimes it’s a tweet, but that is still not quite there yet as many of my friends have just reached Facebook so Twitter is like a distant dream. Work people on the other hand, far more, starts with a Tweet and then it’s like a courtship depending on the keenness of both parties as to how quickly it progresses! Is it straight to sharing emails? Perhaps a dalliance around Linkedin, takes things on a step further without full exposure of details..it’s an interesting progression. Perhaps this is why we have cards, it’s like consummation, you have been on an electronic courtship and now you have met and been able to exchange paper titles and verify you are both real.

Once you have crossed all the barriers then you can contact people in so many ways, I have often checked my work email to find that note someone sent me to no avail, ah well it must be in Linkedin, nope, Facebook and on it goes, Foursquare has now moved the game on to straight stalking. I said no the other day to a couple of people, last thing I want is a couple of weirdos following me around and trying to sell me data!

All of this of course means we hardly pick up the phone, the calls are drying up and texts and FB and LI are taking over, you don’t need a call, you just saw them check in at Soho House. I think generally we are over calls and cards. Maybe not the girls, but the boys definitely, It’s always better face to face, so let’s use every means of technical kit to get us face to face and so we can get down to the serious business of exchanging old pieces of worn out card..

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My piece in Mediaweek

This was a piece done in Mediaweek which I have transferred onto my blog so as to keep records of what people have been saying..

Mediaweek 01.04.2010 Marco Bertozzi hits a nerve at VivaKi. Article here

Marco Bertozzi, back in the media world after a two-and-a-half-year absence, tells Media Week about his new role as EMEA managing director of VivaKi’s Nerve Centre and what will happen when the lunatics take over the asylum

Marco Bertozzi, managing director EMEA, VivaKi Nerve Centre
Marco Bertozzi doesn’t like being away from his pregnant wife Angelina, global brand manager at Unilever, so he got up at 3.30am to fly to a meeting in Madrid and back within a day. But there are no signs of tiredness when he meets Media Week the following day; the only glitch is the fact he hasn’t been warned he will have his picture taken. “I would have worn a suit,” he grumbles.

But then, as Media Week points out, he would look like a City boy, and that isn’t his style. A City boy wouldn’t order a pint of lager just the wrong side of midday, as Bertozzi does as he sits down to talk about his new role at VivaKi, nor would he have staked his career on an intuition that the internet would one day dominate the media landscape, at a time when everyone thought he was “mad and would fail”.

Bertozzi [pronounced Ber-tott-zee] is back in the media world after “ticking some useful career boxes” during a two-and-a-half-year spell at recruitment firm TMP, enticed back to the agency group he first joined in 1996 thanks to an encounter with ZenithOptimedia’s global chief digital officer Fred Joseph, who offered him the role of managing director EMEA of VivaKi’s Nerve Centre division.

The move to “a new job in an old home” felt right, Bertozzi says, because he wanted to pick up the digital thread again, working with leading online publishers – VivaKi has partnerships with Microsoft and Google – and the latest technologies. The basic function of the Nerve Centre is to act as “the Intel chip” inside VivaKi, a future-facing unit that helps the Publicis agencies add value to their clients’ businesses.

The Nerve Centre is more established in the United States, and Bertozzi’s job is to ramp up its presence and investment in the UK, working with digital and management heads across all the Publicis Groupe agencies: Starcom, MediaVest, ZenithOptimedia, Digitas, Denuo and new addition Razorfish. But it is not an agency-within-an-agency; Bertozzi is the Nerve Centre’s only full-time member of staff in the UK, reporting to Curt Hecht, the US-based global president of the Nerve Centre.

Bertozzi explains: “The Nerve Centre is not about creating its own fiefdom; it is about thought leadership. The exciting part of the job for me is working with all the different agencies and people within the group, being in the middle of everything. When people know you they don’t tiptoe around and you get to the root of the issues they are facing far quicker.”

After a “whirlwind” four weeks in the role, Bertozzi has identified two areas to focus on: the US-led Audience on Demand service, which engages with ad exchanges to buy the right type of audience impression in real-time, and VivaKi’s research initiative called The Pool, which works with media owners and clients on “high-end, market-changing research”, such as online video and mobile. Bertozzi says: “The point is to create research that will end up changing the market in response to the answers of that research.”

Early adopter
Bertozzi got into digital as an “instinctive move” back in 1999, when digital was so far off the radar that colleagues emailed Zenith Interactive Solutions, the division founded by Damian Blackden, now EMEA president of digital at OMG, to ask if they could fix their computers. He recalls: “Anyone who got involved in [digital] back then had no knowledge it would be the big thing of the future. TV was the power-base of the agency and I was being promoted, but I couldn’t see myself staying in television.”

Now, of course, Google’s ad revenue has outstripped ITV, and the challenge is to keep up with how technology evolves. Bertozzi started his own blog last autumn, Bertozzi’s Bytesize, purely to understand the digital ecosystem: its viral effect, how people communicate and where the traffic is coming from. He says: “The audience is fragmenting and there are more and more ways of communicating with consumers. The way we plan and buy media, particularly digital media, has to change, because it is so fragmented and there are so many sites.”

The solution, Bertozzi says, is to solve the “big battleground” around data and how it relates to ad exchanges and targeting. He says: “The right audience delivers the best sales. So the future is about technology that allows you to target people in a more sophisticated way, taking into account previous behaviours and overlaying other data sources. I like to think there isn’t a digital buyer in town who isn’t excited by ad exchanges and that side of the business.”

Meanwhile, mobile has had so many false dawns it remains “strangely unresolved”, says Bertozzi, although he believes it will gain momentum over the next year. And social media is coming out of its box to evolve beyond direct response ads on Facebook to a “more refined” art involving blogging, seeding, generating pools of fans and responding to customer issues. “The purer end of social media – when you properly restructure a client’s communications plan around all the social media channels – is still a challenge and that will continue.”

Coming back to the industry following a tough two years, Bertozzi has observed how the recession has “woken people up” to the fact that everything is business critical. “In tough times like recession, people definitely grow up,” he says. In keeping with the new mood of seriousness, Bertozzi is no longer tempted by lavish industry jollies, preferring to drink in low-key haunts with agency colleagues he has known for years, such as the pre-Christmas reunion of Zenith alumni at the Dudley Arms near Paddington.

So, as someone whose career has grown alongside the internet, going from off-the-radar to the central nerve within 10 years, does he now consider himself the elder statesman of digital? Bertozzi, who turned 38 in January, laughs. “No. But there is some pride in the fact that I got involved in digital before the market had confidence in it, as opposed to all the people who joined when they could see it was not going to go away.”

Later, Bertozzi speaks of the day when “the lunatics run the asylum” – when those people who have grown up with digital take the top media agency roles. Bertozzi, with his 12-year pedigree at Zenith, has the credentials to be an agency chief executive, and if his career continues on the same trajectory, the big promotion could come sooner than he thinks. Publicis bosses would be mad not to consider him

Is Flipboard the first App made for the iPad?

Yes I am addicted to the web and I love Facebook for staying in touch with people as well as a lazy address book and Twitter for sending me through everything I have ever needed to know, and much I didn’t about my business. Since having a child I seem to have only 10 minutes here, 15 minutes there at home and my iPad really fills that gap. It is especially good as you can carry it around when the baby is in a sling – perfect!

I still feel though that I am constantly jumping in and out of apps, looking at facebook, twitter and the rest and also clicking on links and waiting for videos to load, but now that has all changed. Flipboad has arrived. It is what I would describe as the first App made for the iPad with real innovation and thought, its an amazing piece of kit. So amazing that if you try to download and use right now it is overwhelmed with people trying to sign up.

Take a look at this video

It looks slick, it is a brilliant concept, I may never go to any of the other sites again, it makes Tweetdeck look like something from the dark ages and overall shows up the rest of the developer world for being lazy and slow, this should have been created by someone like Facebook or a publishing group or someone who took the iPad seriously.

I wish Flipboard all the best, I love it, and I truely believe this to be the first App made for the iPad

Vivaki Nerve Center launches The Pool video lane

When I started in the Vivaki Nerve Center I had quite a few things on my to do list. One of the most exciting was getting ‘The Pool’ live.

The Pool is a vehicle through which we would bring together advertisers and publishers to participate in a project that would shape the market in whatever field it is concerned with, drive future facing ad formats and hopefully drive revenue on both sides. It was designed to be objective, a consensus approach but based in consumer insight. The Pool started in the US with fantastic results, if you want to read more about it, click here

Video advertising is the subject of choice. Why is that? Well there are some fundamental factors that lead video to be an ideal Lane in any country. Firstly we all know its growing hugely, unstoppable and more and more quality content is migrating to the web which is not being followed by advertising pounds. That leads to the next couple of issues. The ability of publishers to monetise has been difficult due to the constant erosion of pricing and lack of research to prove it works and secondly it’s a chaotic ad market in terms of formats. If you work on the basis of 50-60% of TV ad pounds go against a 30sec Ad it’s easy to ramp up investment rapidly. Anyone who has done video advertising knows there are too many formats, too many creative approaches and publishers all have their own model. The Pool aims to solve that.

Tomorrow sees the launch to all the major publishers in the UK of The Pool Lane 1 in the UK, Long form video. Vivaki Nerve Center with close collaboration from ZenithOptimedia and Starcom will be aiming to get publishers on board with the project to find the single best Ad format for video across a range of categories of results. Once on board we will work through field research and with the help of clients to identify the winning Ad format.

It’s an exciting project and I hope very high profile, the end result should be a win for the publishers, a win for the advertisers and a win for the agencies in the Vivaki groupe. I hope by the end of this there will be a model that becomes second nature to planners and allows scalable spend in video which has to be a good thing.

I will then be turning my spotlight on mobile. Mobile suffers similar issues if not worse and needs to have a greater industry focus put upon it. The levels of spend in mobile display are appalling when compared with the time spent on mobile devices so I hope in 2011 The Pool approach will drive some great new learnings for mobile.